Book
FishWife, Black Lawrence Press, March 2024.
Chapbook
Pentimento, Gold Line Press, Poetry Contest Winner 2017, March 2019.
Poetry
“The Scientist” Bombay Gin, Issue 46, December 2023.
“The Keeper” SWWIM Every Day, Oct 11 2023.
“Crown for Forgetting” Grist, Issue 15, Spring 2023 (runner-up, Proforma Contest; read it here).
“Oven Spring” North American Review, 307.1, Spring 2022.
“The [ ] Wife,” “He Who Finds a Wife Finds a Good Thing” The Pinch, 41.2, Fall 2021.
“The Soldier,” “The Sailor,” “The Trucker” The Rumpus, August 19, 2021.
“An Ex-Husband for the End of the World” Harpur Palate, Double Issue 19.2/20.1.
“Woman Turned Inside Out” poets.org, September 2020 (winner of a 2020 Academy of American Poets University & College Poetry Prize).
“Waiting for Men to Come Home from Wars” So to Speak: feminist journal of language and art, 2020 Contest Issue (2020 Poetry Contest Winner).
“Pantoum for Burning” Pembroke, no. 52, 2020. Featured on Verse Daily.
“Petroglyphs” Inverted Syntax, February 2020.
“Land Run Haibun,” “The Salesman” Nimrod, Fall/Winter 2019.
“Cutting Hair” Poet Lore, Spring 2019.
“Near Misses” CutBank , Spring 2019. Featured on Verse Daily.
“A Practice of Gestures” TriQuarterly, Spring 2019.
“The Magician” Rabbit Poetry Journal, Issue 26: Belonging.
“The Men I’ve Never Loved, Exactly.” Dogwood, Spring 2018 (finalist for Dogwood Literary Prize in Poetry).
"Heat," "Success That is Partly the Result of Chance" The Boiler, March 2018 (nominated for Best of the Net 2018)
“Changing the Baby” Free State Review, February 2018.
“Husband Ghazal,” “Reckoning” Lunch Ticket: Amuse Bouche, January 2018.
“Taking Up the Dock” Midwestern Gothic, Winter 2018 (Contributor Spotlight, March 2018)
“Wife” Barrow Street, Winter 2017/2018.
“Kissing Angelina” Tinderbox, December 2017.
“Time is Blood” poets.org, August 2017 (winner of a 2017 Academy of American Poets University & College Poetry Prize).
“It’s Not Like the Movies” The Tishman Review, January 2017 (finalist for Best of the Net 2017 and nominated for a Pushcart Prize; finalist for the Edna St. Vincent Millay Poetry Prize).
“J Teaches Me How to Chop Wood” Bridge Eight, Summer 2016.
“Family Dollar,” “My Mother Saves a Man O’ War,” “Pears” Coda Quarterly, Winter 2016.
“Risk” Boulevard, Spring 2016 (honorable mention for Emerging Writers’ Contest).
“Filling Out Forms” Driftwood Press, July 2015.
“Learning the Tarot” Madcap, July 2015.
“Sylvia Plath in the Kitchen” Coal Hill Review, June 2015.
“Chicago.” Truck, July 2014.
“To Be Happy on a Summer Night” Casa De Cinco Hermanas, July 2014.
“Martha Stewart Makes Duck Confit” The Olentangy Review, June 2014.
“Killing the Deer,” “Liam’s Story on the Train,” “Gin and Tonics at the Red Bar” Southwestern American Literature, Spring 2014.
“Pentimento,” “Relics,” “Dream of the Apples,” “Tell Me Again” Sixfold Literary Journal (1st place in Winter 2013 Poetry Contest).
“Snakeskin,” “The Problem of Knowing” Pilgrimage, March 2013.
“City of God,” “I See You Singing” Eleventh Muse, 2011/2012.
"Mothers Day" Calliope, 2010 (Third Place "Women Who Write" Contest).
"Roane Duana" Mark Fischer Poetry Prize, 2010 (First Prize).
“Watertown” Eleventh Muse, 2008/2009.
“Still Life with Dynamite” Porcupine, 2006.
"Blue House" The Comstock Review, 2004 (finalist for the 2004 Muriel Craft Bailey Memorial Award).
"Padre" Wisconsin: People & Ideas, 2003 (2nd place, Harlan O. Roberson poetry contest from the Wisconsin Center of Academically Talented Youth) (previously the Wisconsin Journal of Arts & Letters).
Book Reviews
Review of Katy Bohinc’s Scorpio, “The Gorgeous and the Grotesque,” American Book Review, Volume 40, Number 3, March/April 2019.
Review of Rachel McKibben’s blud, “Accepting in Blud Inheritance,” American Book Review, Volume 39, Number 6, September/October 2018.
Review of Diane Gilliam Fisher’s Kettle Bottom The Operating System, April 2014.